Technique - Rubylith
Rubylith is a little different than what has been discussed to date. It resembles the hand cut stencil in that it is a hand cut process but unlike the hand cut stencil the final step is to shine high-intensity light through the Rubylith to a photosensitive emulsion. The Rubylith prevents the emulsion from chemically setting. This is another "positive" process. Where the Rubylith has masked the emulsion is where the ink will go on the print.
![RL](https://jimkalupa.files.wordpress.com/2016/03/rl.jpg?w=300)
Rubylith is not sensitive to light and is made of a two layer plastic film. The top layer is red and the carrier is clear to light pink. The objective with Rubylith is to use an x-acto knife to cut the artwork out of the red layer while leaving the carrier layer underneath undamaged. Small cut-throughs are not a problem but if you've made ribbons out of it, lighten up on the blade or move back to a regular stencil. Cutting takes a bit of practice, my first Rubylith cut almost fell apart! Rubylith can have as much detail as you have patience for. It's also accurate enough for tight registration on multi color prints. Each color you want in the final print will need a separate screen and as such, a separate master sheet to burn a screen from. In the photo above the blue and white screen masters were created in Rubylith first. Where the red remained is where the ink printed in the final printing sequence. Rubylith allows very fast exposure times. Only 90 seconds in an exposure machine. Given the exposure speed of Rubylith, it might be a good candidate for sunlight exposure for those print makers not having dedicated exposure equipment!
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